About
Looking for a way to make your photos even more captivating? Introducing 20 incredible Presets designed by Jim Nix for those moments at the edges of the day when light and color come to life. Each one is perfect for landscapes, cityscapes, and travel imagery.
Compatibility
Get photos like these
Using RAW files you will easily practice retouching tips and learn how to get photos like these.
The story
© Jim NixEveryone loves to photograph at the edges of the day, during sunrises, sunsets, blue and golden hours. During those times the light is soft and the colors are just gorgeous. But if your photo’s color doesn't quite look the way you remember it, use these Presets to give your image a little extra emphasis.
These Presets are designed specifically for that time of day, and are crafted to enhance color and light to complement your scene. The Presets were inspired by Jim’s love of bold color and soft light and how he likes to combine them to enhance the overall mood of an image.
The Presets are named for the type of image that they are designed for: Sunset, Golden Hour, or Blue Hour.
Sunset: Give a nice lift to your image’s colors and tones with an emphasis on warm tones and rich colors.
Blue Hour: Lift the exposure of a darker, blue hour image and pop the colors and tones as well while adding some warmth
Golden Hour: Accentuate the warm, golden tones in an image and bring it to life.
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Creator
Jim Nix
Photographer. Skylum Ambassador
Jim Nix is a travel photographer and YouTuber based in Austin, Texas. His photographic interests include broad cityscapes and intimate street photographs. Jim has a colorful and expressive style and a strong preference for shooting at the edges of the day, where soft light and shadow help create the dramatic and moody sentiments his photographs embody. He loves to convey his artistic vision through editing tutorials, which he publishes several times a week on YouTube, and he encourages his viewers to experiment with their editing techniques in order to find their own creative voice.
